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Tag "xpro"

colombia lomo xpro mju2 olympus (2)

These are the scans of photo’s I took in Colombia in various cities. I used my silver Olympus Mju 2 which I have sadly lost along with some Lomo Xpro 100 film. I scanned the negatives myself with an Epson V500 and left the borders on since I felt it gave the images more of an analogue feeling.

 

colombia lomo xpro mju2 olympus (14)

 

colombia lomo xpro mju2 olympus (1)

Above is street parade/party in Bogota. This is a weekly occurrence where they close of the streets for some music and fun.

 

colombia lomo xpro mju2 olympus (13)

 

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A hill overlooking the city of Popayán. The city has their own versions of empanadas and they are really awesome.

 

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colombia lomo xpro mju2 olympus (16)

 

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A small cemetery we came across in Barichara.

 

colombia lomo xpro mju2 olympus (3)

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This was the last roll of film I shot in my Holga. It’s been almost a year now. The Sprocket Rocket has fulfilled my sprocket needs. The Holga was fun, but especially this last roll shows the deficiencies of the Holga. The amount of light leaks was pretty crazy despite all the miles of tape I had used. It was my first time shooting with the not-so-cheap Lomo Xpro 100 film and seeing the result overwhelmed with orange/red light leaks wasn’t exactly ideal. So here are the last shots from my Holga. At one point in time I will pick it back up again, but not any time soon.

holga sprocket lomo xpro film (1)holga sprocket lomo xpro film (2)holga sprocket lomo xpro film (3)

The only outdoor park escalator I have ever seen. At Fort Canning.

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Buckle up ! And here we go.

I went trough most of my scanned film and picked out the various types of films I have cross processed along the way. Results always vary so I thought this would give a nice overview. Off course these results aren’t representative of all situations. Variations are depending on film lab, processing, use of expired film, time of the day, the stock market in Japan, whale routes in the Atlantic, so basically everything.

Roll 1: Fuji Sensia 100 Expired and very green shot with a Canon 500.

100 sensia mju2

Roll 2: Fuji Sensia 100 Expired, much better balance in colour tones shot with light-leaky Olympus mju-2

sensia 100 mju2

Roll 3: Fuji Sensia 100 expired, shot with a Holga and a heavy tint of Pink/purple.

provia 100 expired holga

Roll 4: Fuji Provia 100 expired, shot with Golden Half and same as roll 3, a bit pink.

provia 100 gh

Roll 5: Fuji Provia 400 expired. Unlike its brother, no Pink ! Greener tint.

provia 400 expired

Roll 6: Fuji Tungsten 64, shot with Canon 500 and a hint of a blue tint, but pretty balanced.

tungsten eos 500

Roll 7: Kodak Ektachrome, expired. Taken with an Olympus Trip.

echtrachomre 100 trip

Roll 8: Kodak Ektachrome, FRESH, taken with a leaky Olympus mju 2.

kodak echtachrome mju2

Roll 9: Kodak Elite Chrome, FRESH, shot with Holga, muddy looking results.

kodak elite chrome 100

Roll 10, Lomo X-PRO 100, fresh. bit underexposed but maybe due to Sprocket Rocket.

lomo xpro viet

Roll 11: Lomo X-PRO 100, fresh. Bright colors, hard contrast, current favorite xpro film.

lomo xpro

Roll 12: AGFA CT precisa, fresh. My all time favourite but dead xpro film. Hard contrast and vibrant colours. I will miss you CT precisa ( the new version is not the same, imposter !)

Agfa CT precisa holga

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A major part of the fun of shooting with A) Film B) a Plastic lens toy camera C) Expired film D) slidefilm which then will be developed in the “wrong” chemical process is the unpredictability. I went out and shot some expired Fuji Provia 400 slidefilm in my plastic lens Golden Half. I got the film crossprocessed and this was the result. A 4-year old girls dream where Hello Kitty and some Disney princess rubbed themselves all over my film. A Pinkplosion. Off course I make the promise to never x-pro provia again but what if the next time it won’t be all pink, but some other color? Shouldn’t I at least try and find out?

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The results of trying to remove the pinkness of the image. A muddy image. Not my favorite.

provia fuji xpro (10)provia fuji xpro (2)

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Lomo Xpro 100 photos with my sprocket rocket. The Xpro so far has given me very strong contrast images without colorshift. Somehow though a lot of these pictures were underexposed. I don’t know if it was because if it was often cloudy or it was just the particular way they were scanned at the Lab. In the end I wasn’t too happy about the results.

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lomo xpro roll film

Ninh Binh, Vietnam was amazing. Small villages, farmers working in the rice fields, little kids waving and yelling “hello” as I passed by on a bicycle one day and a scooter the other. Just a couple of hours outside of Hanoi and welcome change of pace. I brought allow my Olympus Mju2 and a roll of Lomo XPro 100. As you can see the contrast is very strong. The darks are dark and the brights are very bright. There isn’t as much of a color shift but more saturation of the colors. It reminds me alot of the old Agfa CT precisa, one of my favourite films that sadly does not exist like that anymore.

For those too lazy a chunk of text

Pros:    1) No typical Xpro color shift 2) Saturation 3) contrast

Cons    1) Expensive 2) Really hard contrast easy to blow out highlights

I’m surprised the Lomo marketing department didn’t do anything more excitement with their container design. I like their other designs and I’m kinda surprised they kept this one so simple. I like minimalistic (check out this blog design) but this is bordering almost on the boring. But in the end it does not effect the  photo’s in any way, shape or form, so I don’t know what I am babbling about.

vietnam ninh bin lomo xpro film roll (1)

vietnam ninh bin lomo xpro film roll (2)

The only photo in this series not taking in Ninh Binh but in Hanoi. I loved these daily used train tracks going through busy parts of the city.

vietnam ninh bin lomo xpro film roll (3)

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vietnam ninh bin lomo xpro film roll (8)

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vietnam ninh bin lomo xpro film roll (12)

My fellow travel mates I met in Ninh Binh; Two French guys and a German girl.

vietnam ninh bin lomo xpro film roll (13)

vietnam ninh bin lomo xpro film roll (14)

vietnam ninh bin lomo xpro film roll (15)

vietnam ninh bin lomo xpro film roll (16)

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Accoring to Wikipedia Cross processing (sometimes abbreviated to Xpro) is the procedure of deliberately processing photographic film in a chemical solution intended for a different type of film.

This normally means taking slidefilm (E-6) film and developing it as if it was regular negative film. This results in shifted colors and stronger contrast.

So why would any sane person do this?

1) It’s fun and unpredictable. You never truly know what you will get. Especially if you throw expired film into the mix
2) Developing as slidefilm is more expensive, so its actually cheaper to develop as slide film is you are able to find a lab

The following photo’s were taken with my Holga and Kodak Ektachrome E100S. This was then crossprocessed and scanned to show the sprockets.  And the results are uh, well uh, green. Kermit-the-frog-exploded-in-my-camera-green. In my past experience the green shift has never been this strong with Ektachrome, but in this case it went all the way.

On the left is hotel I stay at for business in New Jersey and on the right is an abandoned housing complex in Singapore now used by the military for practice urban warefare.

Flying over Chicago after the midwest.

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I shot a roll of lomo 100 X-pro in my holga to review that type of film and this new wide lens adapter. I ran out of my usual electrical tape that I use to keep my holga lightleak tight and in one piece. I picked up a new roll of regular black tape and obviously it did a very bad job, in fact it did such a horrible job I wonder if it sneaked in its photon buddies and let them go to town on my film resulting in horrendous orange light leaks all over my pictures.

I could make up a story that this was my artistic intention in order to portray the fragility of perfection and the honesty of failure but that would be a big bowl of shit. So lets get to the review.

The top part is the regular Holga Lens and the bottom image is with the converter. I picked up this converter for $13 on Ebay because I was interested in buying the latest lomo camera: the sprocket rocket.

The main advantage the sprocket rocket has over shooting 35mm in a Holga is its wide angle lens and the ease of forwarding the film without having to deal with counting clicks. I was wondering if this converter would be wide enough to dissuade me from buying the sprocket rocket and stay loyal to my 5 year old Holga. After looking at the results I can honestly say “I don’t know”

It does create a wider image, that is the positive. The bad side is that the normally blurry edges of my Holga images are now even more distorted and vague.

But it is hard to judge this lens just one roll of film which was badly abused by lightleaks. I will have to give this lens another chance before I pass my judgment upon it and then decide if I want to add the sprocket rocket to my collection of cameras.

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I saw Ndroo’s (great Singaporean photography blogger) awesome double exposure photo’s some time back and I wanted to do something similar. I followed his instructions which are found here. But when I was putting up negatives to my laptop screen I was wondering if it wouldn’t be easier to just shoot images on my laptop screen.

Target

I would be able to find more unique picture and have more control. I set up my tripod and went to work. I scoured the internet and found suitable images. I didn’t want images with a lot of detail of small pieces. Very clear two color images with a strong edge. I followed the instructions and shot 1 stop under, but looking at my pictures now I will shoot my next roll at the correct exposure just to make sure the white are non-transparent.

I did have trouble pulling the film back out of the roll. I tried various methods including licking another piece of negative and sliding that in which didn’t work but I did get to taste film chemicals for the first time. I tried cutting small hooks in another film roll which also didn’t work.My last and worst idea was tying a piece of string to the end of film so I could pull it out later, I don’t have to tell you that failed miserably.  In the end I had the people at my filmlab pull out the film leader and luckily they didn’t ask why there was a piece of string tied to my film.

I used my Canon EOS 500 SLR and Kodak Tungsten Film. I chose to use my Canon film SLR, because it always positions the film in the same way so they images will always overlap perfectly. The Kodak Tungsten was expired and cross-processed which explains the blueish color shift.

I think this is a really fun and creative project. I hope this inspires you to go out and shoot some, like it inspired me.

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Fuji slidefilm 100 Sensia. Shot with my Canon 500 and 50mm lens. The results have a strong contrast and heavy green tint. Not as green as previous tries with this film.

Not a great film to shoot people due to the skin color with but street scenes turn out decently.

Give it a try if you are a fan of the color green or shoot desolate street scenes. Probably my favorite Fuji slide film to cross process.

Stepping all over Singapore

Rare sighting of Graffiti in Singapore ( off course this was government approved)

Kampong Glam.

Arab Street.

Hiding out.

Some editing trying to reduce the green tint and get more human like skin tones. Not easy working with scanned film.

Arab Street Mural.

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